Stylistic contributions to film and home

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Stylistic contributions to film and home

See Article History Film noir, French: Banned in occupied countries during the war, these films became available throughout Europe beginning in Pessimism and disillusionment became increasingly present in the American psyche during the Great Depression of the s and the world war that followed.

After the war, factors such as an unstable peacetime economy, McCarthyismand the looming threat of atomic warfare manifested themselves in a collective sense of uncertainty.

Stylistic contributions to film and home

The corrupt and claustrophobic world of film noir embodied these fears. In its place is the America of film noir: It is said that the themes of noir attracted European directors, who often felt like outsiders within the Hollywood studio system.

Such directors had been trained to emphasize cinematic style as much as acting and narrative in order to convey thought and emotion.

Stylistic contributions to film and home

Defining the genre Controversy exists as to whether film noir can be classified as a genre or subgenre, or if the term merely refers to stylistic elements common to various genres.

Film noir does not have a thematic coherence: The shadowy noir style can be traced to the German Expressionist cinema of the silent era.

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Caligari contains one of the best early examples of the lighting techniques used to inspire the genre. Murnau Nosferatu; Sunrise The Cabinet of Dr. Caligari exerted a strong influence on the atmospheric lighting techniques of film noir.

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Classic images of noir included rain-soaked streets in the early morning hours; street lamps with shimmering halos; flashing neon signs on seedy taverns, diners, and apartment buildings; and endless streams of cigarette smoke wafting in and out of shadows.

Such images would lose their indelibility with realistic lighting or colour cinematography.

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Orson Welles in Citizen Kane An omniscient, metaphor-spouting narrator often the central character, a world-weary private eye frequently clarifies a characteristically labyrinthine noir plot or offers a subjective, jaded point of view.

Tension and suspense are increased by the use of all-knowing narrators and flashbacks, in that the audience is always cognizant of impending doom.

The noir hero The heroes of noir generally share certain qualities, such as moral ambiguitya fatalistic outlook, and alienation from society. They also exhibit an existential acceptance of random, arbitrary occurrences as being the determining factors in life.

The ethics that these characters espouse are often borne more of personal code than true concern for their fellow man.

The weakest of such characters exhibit an abundance of tragic flaws, often including an uncontrollable lust for duplicitous women.

Joan Bennett and Edward G. Nevertheless, the women of film noir often evoke sympathy, as they are frequently victims of emotional or physical abuse, with such victimization providing impetus for their vengeance.

They are trapped in passionless or violent marriages and resort to murder as a means of escape, usually destroying their conspiring paramours in the process.

France 1-5 Uruguay, June 1924

Pickup on South Streetdirected by Samuel Fullerattacked postwar American capitalism; its central character is a man who accidentally acquires a top-secret microfilm but will only part with it for a price, no matter how that may jeopardize the safety of his country.

Both films are presented in classic film noir style, the latter in black-and-white. Basinger, KimKim Basinger in L. Despite recognition of the elements common to film noir, most scholars and critics continue to employ their own definitions as to what constitutes the noir style.

Learn More in these related Britannica articles:minutes: Country: United Kingdom: Language: English: Budget: ₤ million. How to Identify stylistic patterns Reflect on your responses Look for ways in from FILM WR at Emory University%(1).

Contributions Digital Pack Sign out Search News Opinion Sport From stylistic perfection to mutiny: the history of France v Uruguay after which he was jeered by the home crowd every time he. Nov 23,  · FOUNDATION PORTFOLIO. VIDEO PRODUCTION. RESEARCH AND PLANNING.

Monday, 23 November Stylistic elements of film include; - The Narrative - Sound - Editing - Camera angle. Mise en Scene A french term meaning 'that which is put into the scene'.

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France 1-2 Uruguay, July 1966

Make a Random Acts, Channel 4’s innovative short film programme, is a tricky animal to classify. It’s ostensibly a . The group, prior to Fields' departure, was featured live on the DVD The Stylistics Live at the Convocation Center (), as well as with other artists of the s on the DVD, Their song, "People Make the World Go Round", was used by Spike Lee in the soundtrack for film Crooklyn.

Introduction to the Stylistic Elements of Film by Tessa Maglio on Prezi